On Saturday, October 22, 2016, beloved comic artist Steve Dillon died in New York City. His brother, Glyn Dillon, sent his remembrance out on Twitter:
“Sad to confirm the death of Steve, my big brother and my hero. He passed away in the city he loved (NYC) He will be sorely missed.”
People who worked with Steve, worked in the comic industry, or were fans of his work also gave their own remembrances to remember the artist.
Dillon had a long, fruitful career, which he started at the young age of 16 by illustrating for UK Marvel‘s The Hulk and Nick Fury. He continued to contribute to magazines, and in the late 1980s, Steve worked with comic artist Brett Ewins to create their own comics magazine Deadline.
Dillon’s work helped to change the landscape of comic books. During his early career, comic books were beginning to be considered as more of an art and serious reading material. In the US, during the 1980s and early 90s, comic books weren’t taken very seriously as reading material for adults, but Dillon’s dark style and macabre themes contributed to making comics more of an art form for older readers.
Garth Ennis’ and Steve Dillon’s comic, Preacher, one of Dillon’s most well-known comics, is definitely not a children’s comic book. The comic is unapologetically blasphemous, and boldly pursues social taboos. It’s ripe with humorous commentary about American culture and religious fundamentalism. Perhaps that is what made Preacher so appealing to the producers of the AMC television adaptation. With its fascinating story and quick, dark humor, it translates well to the small screen.
Dillon’s work took on dark themes, yes, but his characters were never one dimensional. With his artwork, Dillon added to fully realized stories abundant with characters rich in individuality and personality. Dillon is celebrated for his ability to craft characters with true depth and complexity. He, and his steadfast work, will be remembered well.
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Featured image via Screen Crush